Sustainable Earth 2017 – A global forum connecting research with action – 29 and 30 June, Plymouth University
Sustainable Earth 2017 offers the opportunity for researchers, businesses, NGOs, community groups and individuals to come together to hear inspirational speakers, to network, spark ideas and encourage collaborations to tackle global and local challenges.
The conference offers an eclectic mix of sustainability-related themes; energy, climate change, health, hazards, water, international development, education, resources, planetary change, antimicrobial resistance, sustainable cities…. Infusing the event, is arguably one of our greatest challenges: communicating effectively with the different communities needed to develop a sustainable earth.
As well as Plymouth University researchers, hear guest speakers from the BBC, British Council, NHS, Future Earth, Christian Aid, Brunswick Group, University College London and many more. Meet the speakers and register on the website.
Celebrate our cultural and physical connections to the sea with artists, writers, historians and scientists at ‘Sounding the Sea’ a symposium as part of Hull UK City of Culture.
Two-Day Tickets (Thursday 15th & Friday June 16th): Full price £45, concessionary £20
One-Day Tickets (Friday June 16th ONLY): Full price £25, concessionary £10
Programme: Sounding The Sea
Join leading authors China Miéville and Philip Hoare, artists Alec Finlay, Bik Van der Pol and Mariele Neudecker, marine biologists and ocean campaigners; Professor Alex Rogers, University of Oxford, Dr Magnus Johnson, University of Hull and Jo Ruxton, producer of groundbreaking film Plastic Oceans, for thought-provoking talks, workshops, artist performances and film screenings.
Varied topics will include: the critical importance and health of our oceans, climate change, catastrophes such as tsunamis and earthquakes, bioluminescence and deep sea marine life, Hull’s maritime history, rising sea levels along with our myriad of cultural connections to the sea.
Day 1: Ferens Art Gallery and Hull Maritime Museum
The symposium will open with registration at 12.30pm on Thursday June 15th. Artists talks, gallery tours and other events will start at 1.30pm and run in to the evening at Ferens Art Gallery, Hull. Teas and coffees and the option of an evening buffet will be available.
Day 2: Middleton Hall, University of Hull
The symposium will open with registration at 9.00am on Thursday June 16th. Artists talks, session and events will run until 4pm when the symposium will end. Teas & Coffees and a light lunch will be available.
Sounding the Sea is part of exhibitions ‘Offshore: Artists explore the sea’ curated by Invisible Dust at Ferens Gallery and Hull Maritime Museum, and ‘Somewhere Becoming Sea’ curated by Steven Bode, supported by Film and Video Umbrella at Humber Street Gallery.
The symposium is independently supported by the Universities of Hull and Oxford, Arts Council England, Calouste Gulbenkian Foundation, Hull Culture and Leisure and the Wellcome Trust.
How inappropriate to call this planet Earth, when clearly it is Ocean.
Arthur C. Clarke
Active Energy: Three Mills Invitation to the launch of the new turbine – 3.30 – 5pm Saturday 13th May 2017
At National Mills Weekend
Loraine Leeson and The Geezers invite you to celebrate their latest venture in the Active Energy arts project. A floating water wheel is being placed in the River Lee close to an historic tidal mill. The outflow from the mill pool will turn the wheel, which will then drive an aerator to oxygenate the water and counteract the effects of pollution on the river’s fish and wildlife.
This latest phase of Active Energy is supported by the Hydrocitizenship initiative. Engineer Toby Borland has worked with the team, advised by Thames 21’s Love the Lea, to realise the project. The wheel’s low-cost open source design will be posted on the project web site so that others can take up the idea.
House Mill, Three Mill Lane, Bromley-by-Bow, London E3 3DU
firstname.lastname@example.org 020 8980 4626
Nearest tube: Bromley by Bow
Did you know that electricity use is one of the biggest sources of carbon dioxide emissions globally and in the UK?
Decarbonising electricity is a key measure for the UK to reach its target of reducing greenhouse gas emissions by at least 80% by 2050. You can help hitting this target by investing in renewables, either through on-site technology or driving demand through procurement.
Most electricity suppliers in the UK offer ‘green’ tariff electricity. But care should be taken when choosing a green electricity tariff, as some suppliers make unverified claims about where their electricity comes from and the environmental benefits.
If you are feeling tested by tariffs – don’t worry, Julie’s Bicycle is on hand to help you navigate and make sense of your energy options. We’ll be discussing clean energy sourcing with Good Energy – the first dedicated 100% renewable electricity supplier – and ensuring you are getting a genuinely clean and green tariff.
If you are in a position to go even further and invest in on-site generation, Julie’s Bicycle and Good Energy will be presenting a whole range of clean energy options, helping you understand the considerations, opportunities and challenges. We’ll be covering other related topics such as: joint procurement, funding and investing, community energy and roof leasing; providing intelligence and a range of case studies from the sector and beyond.
Julie’s Bicycle has partnered with Good Energy, the 100% renewable electricity supplier, to help turn individual action into collective change. We are really proud to be working with Good Energy who are sponsoring our events programme and have funded new development on the IG Tools which recognise renewable energy analysis and impact.
Cultural Launch – ‘Zero Carbon Britain: Making it Happen’
10th April 2017, 10.30am to 1.30pm
The National Theatre, Dorfman Theatre
You are invited to join groups and individuals from the arts and cultural sectors in
this free, participatory event – exploring what a future Zero Carbon Culture might
look like, and how we can get there.
The UN Paris Agreement recognises that humanity must reach net-zero greenhouse gas emissions by mid-century. This is an ambitious shift, but we have to succeed if we are to avoid dangerous climate change.
We already have the technologies needed to reach zero, yet changing how millions of people live is a very special kind of problem. Rather than an unresolved technical challenge, it is increasingly accepted that we face a mixture of economic, political and cultural barriers.
Our new report, Zero Carbon Britain: Making it Happen offers a climate tool-kit bringing together insights from psychology, sociology, political science, economics and other social sciences, as well as faith and spiritual practice, arts and culture. Expert views mix with real-life stories of projects that have overcome barriers in innovative ways.
You can download a copy from: http://zerocarbonbritain.com/
The report highlights the vital role of the arts and cultural bodies to help catalyse this transformation.
The arts can communicate and inspire in ways that science, politics, academia, media and other disciplines cannot.
We hope you can join us in exploring the positive, connected approach needed to bring a zero carbon culture to life. The National Theatre has kindly offered to host the event – which will offer key findings from the report, stories from real life projects plus a participatory conversation around how we make it happen.
We recognise your work in this area has already made a valuable contribution, so I do hope that you, or a representative of your group, can join us on the day.
To register visit – https://zcbmakingithappen.eventbrite.co.uk
In a major commission for Hull 2017, artist Nayan Kulkarni has transformed the historic heart of Hull city centre with Blade, a massive, monumental artwork that will change the way people see and experience Queen Victoria Square.
Kulkarni has taken a 75–metre rotor blade – that you would normally see at the top of a wind turbine – to create this artwork, spectacularly interrupting this newly renovated public space.
Made by hand at the Siemens factory in Hull, these blades are the largest single-cast handmade objects in the world.
B75 rotor blades, made by hand at the Siemens factory in Hull, are the largest single-cast handmade objects in the world. It is one of the first blades to come out of the factory, made by hand by the men and women of Hull.
Multimedia artist Kulkarni, best known for his work with light, said: “Blade seeks to transform Hull’s streetscape through the imposition of a single wind turbine blade. This readymade artwork, 75 metres long, will divide the square forming a temporary impediment to a free flow. Carefully positioned, it will force us to drift around its arabesque edges, our sight taking the place of the breeze. The twisting wing, although inert and at rest in the street, speaks of movement, but not of freedom.”
Blade bisects the square, from Savile Street to Carr Lane, rising to a height of more than 5.5 metres at its tip, allowing double-decker buses to pass underneath. It offers a striking contrast to the familiar facades of the neo-classical Ferens Art Gallery, the Italianate Maritime Museum and Hull City Hall.
Blade is being installed with the support of Hull UK City of Culture 2017 Major Partners Siemens and Green Port Hull and has been made possible by a range of other organisations. It is first in a series of major art commissions that will be installed in public spaces around Hull as part of Look Up, a year-long programme for Hull 2017 that will see different artists creating temporary artworks designed to make people look at and experience the city in new ways.
Despite its size, what is striking about the sculpture is its elegance.
Martin Green, CEO and director, Hull 2017, said: “Nayan Kulkarni’s Blade is a dramatic, yet graceful addition to Hull’s city centre. Despite its size, what is striking about the sculpture is its elegance. Putting this example of state– of– the–art technology against the historic charms of Queen Victoria Square makes you look at this fine public space differently. It’s a structure we would normally expect out at sea and, in a way, it might remind you of a giant sea creature, which seems appropriate with Hull’s maritime history. It’s a magnificent start to our Look Up programme, which will see artists creating site-specific work throughout 2017 for locations around the city.”
Blade will remain in Queen Victoria Square until 18 March. More installations will be unveiled at locations around the city throughout Hull’s City of Culture year as part of the Look Up programme.
Siemens UK chief executive Juergen Maier said: “We’re hugely excited to have worked with Nayan Kulkarni and the City of Culture team on this dramatic, unique installation. This collaboration reflects our desire to make a positive impact as a Hull UK City of Culture 2017 Major Partner. Blade brings to life the engineering and manufacturing excellence of which we are so proud, and makes it tangible for the people of Hull and visitors to the city.
“It feels perfect that Blade – one of hundreds of 75– metre blades we will manufacture in Hull every year – will be a prominent feature during the City of Culture Made In Hull season. We hope people enjoy it. When people see our blades close up, they often comment on how beautifully crafted they are. This installation will enable many thousands of people to appreciate that beauty and scale, in the very heart of the city.”
Following Blade, further details about Look Up, the programme of major public art commissions for Hull 2017, will be announced over the next weeks and months. The next installation, a large-scale work by artist Michael Pinsky, is set to appear at the start of February. Other artists include Bob and Roberta Smith; Tania Kovats; Claire Barber; Chris Dobrowolski; Claire Morgan; and Sarah Daniels. Look Up has been developed in partnership with a number of organisations and companies including The Deep, GF Smith, Hull School of Art and Design and Royal Institute of British Architects (RIBA).
Hull City Council has also commissioned new work in the public realm, including work by two of the Look Up artists Michael Pinsky and Nayan Kulkarni, who is creating The Golden Hour, a series of light installations across the city centre that will appear during 2017.
In 2017, Pixelache will present Empathy as Resistance, an open working group that will meet throughout the year, every other month.Empathy as Resistance explores how empathy can be employed for constructive and direct political and social action. Picking up from the theme of the 2016 festival (Interfaces for Empathy), as well as the recent emphasis on this topic in the local and international culture community, EaR seeks to wield empathy like a weapon (as paradoxical as this may seem) for concrete effects on policy, institutional structures, and daily life.This project was conceived in early 2016, intending to question if empathy (generally seen as an internal, personal trait) could be converted into something external, without its very nature changing into something polemic or divisive. As the year progressed and the liberal concepts of progress and democracy began to melt down (vis-à-vis Aleppo, Brexit, Trump, etc.), the EaR concept is now bathed in a sense of urgency that is only likely to increase.
Each session of Empathy as Resistance will be led by a different facilitator (or group of facilitators) and tackle a specific topic, with a goal to create a decisive output. This open call seeks facilitators (from any background) and ideas. All EaR meetings will be open to everyone, but with the hope that participants will return each time to build deeper, lasting collaborations with each other. The sessions can take any form: workshop, direct action, game or contest, collaborative creation, etc. and their length can range from a few hours to a few days – it’s up to you.Note: The September session will meet as part of the 2017 Pixelache festival, and thus will have a potentially different audience and visibility.Our budget is still unknown due to funding decision timelines and the usual precariousness, but we will be open and direct with all facilitators as soon as the situation becomes clear.
Deadline for proposals: 1 February 2017
Pixelache Helsinki is a transdisciplinary platform for emerging art, design, research and activism. We have been producing an annual festival since 2002 as well as numerous year-round activities, projects, residencies and other events. For more information, please see our detailed ‘about’ page. To get a better sense of the types of content Pixelache works with, please check out our projects, have a look through our past festivals, get to know our members, and check out our Facebook page.