Forte Renewables and Anne Marie Twigge – (2015)


On October 13th Forte Renewables had the official opening of its new headquarters at the World Trade Centre in Amsterdam. To celebrate the event Forte invited Dutch artist Anne Marie Twigge to present her latest sculptural work AMRC 2015 and discussed with Fortes Managing Director, Fergal O’Mahony how Art and Energy are heading towards new and exciting futures and changing cultures.

In attendance were friends and invited members of the renewable industry who enjoyed cocktails and canapés at this unique talk and open discussion.

“Art never used to be confined to the white box.” Anne Marie Twigge

Anne Marie has created a series of white cubes where the stuff of our lives, those products created by people for people using energy harnessed from dirty fossil fuels, traces of our humanity, are now both preserved or re-fossiled and emerging from their containment; reaching from their fracturing white boxes into the world and reflecting a sense of the transitions we are in.

I find myself hoping that we humans can reach beyond the bubbles we’ve created for ourselves and become part of the world again.

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Like all good art work, it is not just white and black; the work is not limited by the things I’ve said about it above!

It draws your attention, the pieces invite you to stay with them, to re-read them. To re-consider. Seeing the work (even if only remotely, via the medium of digital photography, skype and the duo’s writings) I am reminded of why a cultural voice is so important in our debate about energy: Facts, figures, mechanics, techy stuff, only really comes alive when it connects with our imaginary world. It is in this liminal space that we invent, grow, harvest…. change.

This art stuff, the objects and experiences, help us to focus our imaginations on a particular point and this focus or zoom, helps us to direct our energy. We can be reminded or what we want to do, of how we could do it, of what blocks are in our way. We can tell and retell the stories of our lives.

Perhaps, the more powerful the work, the more it invites this re-consideration and reflexive thinking. (On art as a reminder from The School of Life)

The thing is, it can be hard for artists to play this important role in society. Artists need money, they need access or exposure to the subject matter and they also need autonomy. It can be mutually beneficial for industry to work with artists, but “It can be like chalk and cheese” said Anne Marie on the challenge of artists working with an industry partner.

Fergal and Anne Marie have overcome these challenges – I surmise this is for a number of reasons (there are undoubtedly more than I’ve listed!):

  • Fergal has an appreciation for the arts and respects Anne Marie’s expertise
  • Anne Marie has experienced working with industry partners and this project is an evolution in her practice
  • There was a two way exchange. Anne Marie and Fergal had numerous discussions throughout the development of the work that allowed them to influence each-other and create a shared understanding
  • The presentation or opening for the work was an enjoyable, intriguing and valuable networking experience in and of itself.
  • The artwork gave visitors a point of focus outside their usual modes of connection and stimulated new thinking

Once an artist has made a connection like this with an industry partner, it is worth continuing to work together if possible. I really look forward to seeing more chalkycheesish fruits of their labour.

The text below is taken from the document they published with the talk:


It’s exciting whenever two experts working in different disciplines discover that they have reached parallel conclusions about a new field of inquiry; the pursuit of new cultures.

In the past weeks Fergal O’Mahony and Anne-Marie Twigge have been sharing their thoughts on cultural values that arise from the energy that makes them possible. Following historical shifts related to energy provides one with an already interesting narrative.

The Industrial Revolution is the result of coal and steam accelerating human effort and changed the way we work and live. Coal-based manufacturing required a disciplined work force; inspiring class consciousness and an emphasis on self-discipline, which in turn inspired universal public education. At the same time romanticism and realism form the arts and the culture of production is born.

Then electricity brings us the Culture of Transformation. Electrification everywhere inspires millions with confidence in our ability to change the world. The arts too evolve internationally connecting cultures and differing ideas of development producing the modernist movement as well as other `isms` in politics

“Energy cannot be created or destroyed, it can only pass from one form to another”. Albert Einstein

The Culture of Consumption is paralleled with oil and natural gas. People are seen as consumers and widely explored by various post-modern artists like Duchamp, Warhol and Rosler. Shortly after the roaring twenties nuclear energy was being applied in the efforts of war and shocked the societal system as we are addressed by instant mass mortality.

The Culture of Anxiety has set in through the fear of atomic weapons and nuclear fallout helped carve the dread of cancer deep into our hearts, and they put a man on the moon. This culture however helped launch environmentalism, and laid the foundations for the anti-Vietnam war movement.

The cold war framed the phobia about nuclear power, leading to a coal-based energy policy that has killed hundreds of thousands of people from air pollution and threatens the very climate on which life on earth depends. Nuclear fears even gave birth to the modern skepticism of technology and industry, and of science itself.

With these notions in mind it would seem logical that society would be embracing renewable energy at large. However the economic downfall has only further fuelled anxious behaviour and a Culture of Stewardship still requires efforts in education.

Every day we are plagued by synthetic needs and instant gratifications, no longer taking extra time to think about the resources that fuel these items of desire, the
objects that construct our identities.

The changes in our cultural values that arise from the energy sources that make those cultures possible are fundamental, deeply rooted in how we see ourselves  and others.

The term Engineering is derived from the Latin ingenium, meaning “cleverness” and ingeniare, meaning “to contrive, devise”. The concept of engineering has existed since ancient times as humans devised fundamental inventions such as the pulley, lever, and wheel.

Each of these inventions is consistent with the modern definition of engineering, exploiting basic mechanical principles to develop useful tools and objects.

As detailed previously mankind has devised new technologies with each passing century and continues to push the boundaries of possibility. Today in the world of energy exciting innovations are being advanced to radically alter the way energy for power, heat and transport is provided and consumed by the world’s population.

Renewable energy has muscled in on its big brothers in the fossil fuel industry and is a disruptive actor looking to create a cultural change in how we perceive and cherish the energy available to us. It is a fight for position and influence and big brother won’t give up easily!

“First they ignore you, then they laugh  at you, then they fight you, then you win” Mahatma Gandhi

In January 2012 outside a village in southern Honduras, Central America at the site of a proposed wind farm we at Forte saw the potential culture changing effects of Renewable Energy. Instead of anti-wind lobby protesters we were greeted with great enthusiasm and smiles by the locals as they welcomed us to their area. They knew what the wind farm would mean for them – a brighter more independent future with better roads and ready access to electricity and purified water for the first time.

Fast forward a few years and now the San Marcos de Colon Wind Farm is complete and operational. The wind farm provides energy to 100,000 homes in Honduras and the locals are part of a significant movement in Honduras away from thermal and fossil fuels.This has changed their lives and is part of a greater goal to allow one of the poorest countries in Central America break free from dependence on imported fuels. That is good for the locals, for Honduras and the environment.

Investments in grid-connected renewable energy will reduce Honduras’ dependence on imported fossil fuels, reduce the country’s vulnerability to market shocks and free up government resources for alternative development priorities. Shifting from reliance on traditional fossil fuel energy generation to renewables will reduce local pollutant and greenhouse gas (GHG) emissions, improving quality of life and lessening the drivers of climate change. Furthermore, investments in renewable energy have the potential to unlock job creation.

Here at Forte we are proud and excited to be part of the pursuit of significant cultural changes related to the field of energy.

Anne-Marie Twigge obtained her BA Business Administration with a focus on commerce commencing a professional career in business working in the fields of marketing and brand communications. Whilst residing in Shanghai, China, she expanded her professional career as creative consultant and researcher with an artistic practice attending residencies across New York, Mumbai and London before obtaining her Masters degree in Artistic Research at the Royal Academy of Art. Dealing with cultural and ethical representations; the process of valuing from the emotional to the economical form the vocal point of Twigge’s practice.

Fergal O’Mahony is a civil engineer with 15 years’ experience in the design and project management of water treatment, land development and renewable energy projects. His first renewable energy project was a wind farm in the south east of Ireland in 2006. In 2012 he founded Forte Renewables as a freelance consultant and since then the company has grown so that it now has team members in Brazil, India, Taiwan, France and the Netherlands. Forte offers services to developers and investors across the project lifecycle and caters for the commercial as well as the community energy sector.


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Under the Green Communities banner, Forte Renewables and Royal HaskoningDHV are offering a dedicated service combining environmental, consenting, engineering and commercial resources to enable community renewables. Green Communities (, is a unique partnership of leading experts, providing community groups with affordable, technical guidance to develop green energy projects in their local areas.

To help local energy groups leverage funding such as the Rural Community Energy Fund, Green Communities offer the Green Business Plan, a bespoke product for local community groups. The Green Business Plan is a first step in enabling community groups to approach potential investors, funds or grants to secure the necessary finance to progress through planning; procurement; construction and operation of green energy projects.”


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